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Small, Sweet
Folk Art Portrait
of a Blue-Eyed Girl
.....sale pending
Andrew Carlin (1816-1871).
Deaf Mute Artist
Philadelphia, ca. 1840-1850. Oil on canvas. The pretty young girl with huge blue eyes in green dress with lace edging and puffy sleeves. Signed lower right AB Carlin (and more unreadable as partially under the frame).
From the National Park Service: Andrew Carlin was deaf from infancy, he signed his paintings as “AB Carlin/a Mute” (the latter presumable what is obscured under this frame). When the Civil War broke out, Andrew wanted to join the Union Army. At that time, total deafness was an exclusion for military service. However, people with hearing loss determined to fight for their country could sometimes find a recruiter willing to accept soldiers who could fake a level of hearing when questioned. Andrew wasn’t able to pull this off, but he still followed William T. Sherman’s army closely. His most known painting became “Sherman’s March Through Georgia, 1864.”
In fine condition, unlined, with craquelure and minor touchup, the back of the canvas retaining the stamp of the canvas preparers "Ashton and Browning 204 Chest St. Philadelphia". The perimeter of the canvas strip-lined to give edges strength. Original stretcher. Bold period gilt frame, frame dimensions about 22 inches tall x 19 wide.
Early Painted
Tabletop Lighting Stand.
Rare Octagonal Base
.....SOLD
New England, ca. 18th century.
Skillfully turned from what appears to be chestnut, retaining the original very dry brown paint, the color presenting as reddish-brown in sunlight. The design features a rare form-slightly domed-octagonal base-the facets with “lambs tongue” crests. The base supports a baluster-turned lower section leading to hand-cut threads to allow raising and lowering the candle arm. The two-light candle arm echoes the baluster-turning on the column. Interesting to note that the figure (rings) of the wood are remarkably tight together due to the wood being from an old-growth tree having grown very slowly.
At just 21 inches tall, this lighting stand was not for the floor, rather would have been carried from room to room and placed on a table or chest. Terrific condition. Provenance includes Sam Forsythe and a private Midwest collection.
Bellarmine Jug
With Rare
Heart-in-Jug Medallion
.....sale pending
German, ca. 17th century. Archaeological excavations at colonial sites in New England, Jamestown, and the Chesapeake region show these jugs had extensive use in Colonial America.
Bellarmine stoneware jugs got their nickname because they were mostly used to store and drink alcohol, while the Catholic Cardinal Bellarmine opposed alcohol. The malevolent-looking "bearded face" was a way to mock Cardinal Bellarmine. Some Bellarmine jugs were also used as "witches bottles". The jug was filled with various objects such as human urine, hair and magical charms, which were believed to ward off witches.
Highly-ovoid form with narrow base, long neck, applied handle, decorated with the raised bearded man at the neck and a rare heart-within-a-jug at the midsection. The surface was dipped in brown slip and covered in a light salt glaze.
Expected minor chipping around base and spout.
About 9 inches tall. From a private Midwest collection, acquired years ago from Hollis Broderick, NH.
Country
Parcheesi Gameboard
New England, ca. late 19th century.
This charming Parcheesi gameboard has a country aesthetic with large stylized four-leaf clovers in the corners and center.
The color palette includes green, black, white, and salmon, complemented by brown graining in the wells. Crafted from two thin pine boards, likely repurposed from crate wood, the piece is reinforced with battens on the back to prevent warping, some of the nails of the battens having pierced the front during making. About 30 inches x 21.
From a private collection, acquired in 2000, before that in a Maine collection.
Dramatic
Portrait Miniature
New England, ca. 1820-1830. Watercolor on paper.
The folk art portrait shows the fashionably dressed gentleman in three-quarter length profile, with unusual foliage representations about the perimeter that add drama and interest.
Presented in a period frame that is likely original despite later nails securing the carved backboard. Frame size about 6 ¾ inches x 5 ¼.
Ship Portrait of the Isaac Webb
Black Ball Line
At Castle Garden
New York
19th century. Signed lower left L.A. Brigg. Dated [18]51. Watercolor and pencil on paper, showing the Isaac Webb leaving the New York City harbor, with side-winder paddle-wheelers in the background, as well as buildings and other tall ships near Castle Garden in an unusual vignette. Prominent display of American flags aboard ship and at the harbor.
The Black Ball Packet Line was founded in 1817 at New York City by shipbuilder William H. Webb, who owned 1/16 share of the ship named after his father Isaac. From 1851 to 1879, the Isaac Webb, which was 185 feet long weighing 1,359 tons, traveled between NYC and Liverpool, England 4 times per year, taking typically 37 days to cross. The Webb was captured by a Confederate ship, the Florida in June, 1863. After paying a $40,000 ransom (about $1,600,000 now) the ship was released. In December 1866, while heading west to New York, the Webb encountered a gale so cold that it killed three crew members with several others badly frostbitten. The captain was killed during a fierce gale on the same route two years later.
In a period gilt frame that may be original. Frame size 26 inches x 20; sight size 21 inches x 15. From a fine private Midwestern collection.
Exceptional Schoolgirl Coastal Riverscape or Inlet and Townscape
New England, ca. 1820.
Likely Portland, Maine.
Watercolor, pen & ink, on paper.
This painting excels with boldly saturated blues and verdant greens and a composition rich with cool vignettes, featuring a large ocean sailing ship, flying the American flag, likely safely anchored from the Atlantic within the river.....
Provenance includes a private midwestern collection; Jon and Rebecca Zoler, Sotheby’s 2005; private Portland Maine collection; F.O. Bailey, 1988.
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